I initially commenced studying piano at the tender age of six – my mother was herself a piano teacher and insisted that my siblings and I study music when we were young. However, I so switched to the low brass and thought no more of pursuing piano though I did occasionally pick my mother’s brains about various chords whilst picking out my favorite pieces on her little Steinway S.
When she passed, I inherited the Steinway and decided that i would actually learn to play it. To this end I enrolled at the local junior college, where I was fortunate to make the acquaintance of one of the professors. When he retired, he invited me to continue studying and so for the past few months i have been making a weekly trek to his house to further my knowledge.
The greatest challenge, from my perspective, has been the mechanical aspects. My hands are not trained to work in the actions so necessary for piano work and i have a terrible time trying to force them to do different things. In particularly, i am very fond of walking bass lines and look forward to the day when i can do a creditable rendition of stride piano. But I am not there yet.
I am currently working on contours – where the hands form the notes of the scale all together – and triads, where the player does the main inversions of the major scales. The contours are beginning to come to me, but the triads are much more difficult. I suspect this is because, unlike the contours, the triads require the hands to do different fingerings, instead of being exactly the same. However, I am slowly beginning to get a handle on it. And I am finding that my reading is improving as well. I have always been able to read bass clef, but I am slowly beginning to get more confident with treble as well. I am looking forward to the day when i can sight-read a real piano piece.
In the meantime, I am discovering that I am also learning more about theory than i ever knew previously. This is very good for me, as it translates well to the other instruments I play. in particular, I am finding that the bass lines I play on tuba are becoming rather more inventive as I comprehend the inversions and the relative minors for the root notes of the scale.
Piano is very good and I would highly recommend it for any young musician – it provides a basis that no other instrument can match. I am even preparing to start my young son on piano – at least I will once I receive a response from the teacher!